Once-Upon-A-Time-1969-Bob Davis Podcast 856

A Hot August Night In 1969

I’ll be honest. This podcast is a bit of a departure for me. What’s especially relevant? Seems like everything changed on a hot August night in 1969, in Los Angeles. True crime and social commentary come together in Once-Upon-A-Time-1969-Bob Davis Podcast 856.

Brutal Murders and A Turning Point Once-Upon-A-Time-1969

Back in the day, several brutal murders over a weekend in August in Los Angeles formed some kind of turning point.

A Dream Called Life

Sometimes you get in a groove and it seems like things will never change. Life is funny that way. Almost like a dream.

Then, suddenly everything changes.

Fifty Years

It’s been fifty years since the Tate-Labianca murders. We’re just now finally getting a handle on the changes forced in that time period.

Moreover ‘The Summer of Love’ started with Woodstock and ended with Altamont and Charles Manson.

Recreating That Summer In Once-Upon-A-Time-1969

A new film by Quentin Tarantino explores that fateful time period. This podcast is inspired to a degree by the meticulous recreation of 1969 LA in Once Upon A Time In Hollywood.

More Music

I don’t say much in this podcast. That fact might surprise listeners. Truth is, music does a lot of the talking in Once-Upon-A-Time-1969-Bob Davis Podcast 856.

Music did a lot of the talking then too.

All About The Radio

First of all, there was no social media. For the huge younger generation it was all about the radio. Everyone was on the move. Every car had a radio. Somehow it felt like everyone was connected through the music and the radio stations of the time.

Lyrical and Musical Prophecy

One of the great things about the movie is the depiction of the musical subtext. The music and the lyrics told the story, before the story went down.

Summer of Love Ends In Horror

That summer began started with a pristine moment.

It ended with horror and death.

A time when Innocence lived next door to a deep, dark corruption.

(Editor’s Note: Technically the ‘Summer of Love’ was the summer of 1967 in San Francisco. However, in my experience, it generally referred to the whole time period up to Woodstock and the end of the summer of 1969.)

Sponsored by Reliafund Payment Processors and Ryan Plumbing and Heating of Saint Paul

Once-Upon-A-Time-1969-Bob Davis Podcast 856

Podcast 589-Celebrity Worship

Podcast 589-Celebrity Worship-When The Famous Become Gods

Fame. Notoriety. Our fascination with famous people. Our fascination with those who are famous. One of the things I like to do in podcasting is to focus on the first thoughts I have at the beginning of the day. You might think podcasting in this manner is easy. Unfortunately sometimes these first thoughts turn out to be a lot deeper and complex than first imagined.

Two thoughts ignited Podcast 589-Celebrity Worship. First, the concept of fame itself. Where did it come from? When did it start in the United States? What makes someone famous these days? How is that different from what made someone famous three hundred years ago? Second, we form a bond with famous actors and musicians because of a movie or a song we connected with at a certain time in our life. The performer is forever part of our life because of a performance.

The kick off for these first thoughts is the HBO documentary ‘Bright Lights’ detailing the relationship Carrie Fisher had with her mother Debbie Reynolds. Both of these women are recently deceased. Carrie Fisher from a heart attack and her mother from a stroke shortly thereafter. Some of the content in the documentary has to do with Postcards From The Edge, first a book and then a movie about the relationship between Carrie and her mother, in which Meryl Streep played the role of Carrie Fisher.

All of this connected for me because Streep’s recent comments about the President-Elect at the Golden Globe Awards. The Golden Globes usually has lower viewership than the Academy Awards and would be forgotten save for unsavory comments from Streep this year. While any citizen has the right to say what they want about political events, stars seem to think they can use their fame to tell the rest of us what we should feel, how we should vote and how to live our lives

Back in the day, people became famous for doing something. They discovered a continent, or won a big naval battle, a war, or saved western civilization. One became famous for building a bridge, mass producing an automobile or opening the east to western trade. Great artists and performers became famous for work that changed the world. Today it seems like people become famous for being famous.

The roots of this kind of fame, or notoriety go back a long time. Dime store novels, traveling road shows, Vaudeville, Tin Pan Alley, and the movies. It wasn’t long before you could become famous for just playing someone who had actually accomplished something. Actors who played western heroes, Pharaohs, and Great Leaders became associated with the accomplishments of someone else.

2016 was the first time I’ve seen the media tally the deaths of ‘Celebrities’ as they might natural disasters. We ‘mourned’ the loss of people we did not know as though they were part of the family, and seemed to forget the thousands who have been killed in America’s violent big cities, or in war zones across the world.

Prince, David Bowie, Carrie and Debbie Fisher and many others. Oh! What a loss!

Some people who are famous for a role they played in a movie forty years ago have insights into how fleeting fame is. Carrie Fisher reluctantly came to terms with her connection to the character she played in the original Star Wars, comparing it to her mother’s performance in ‘The Unsinkable Molly Brown’.

Fisher considered herself the ‘caretaker’ of the Princess Leia character, and felt she was irrevocably connected to her. A fact fans sometimes did not seem to understand. Or did they? We wonder what fame and fortune is like because we think of people who are famous and rich at the height of their powers. What is it like when people who live every day of their lives in scrutiny begin to age and decline?

We all love our movies and TV shows. We love our favorite music and performers. Human beings need entertainment. We all love a good story, told well. Great artists don’t do what they do because they want to change the world. They do what they do because doing it is what makes them happy. Sometimes the result of their work is world-changing. I don’t think they know this when they are creating these world changing works. Sometimes too, a movie is just a movie, or a song is a one-hit wonder, or a show only airs for two or three seasons. We want to know the people who write and perform these works, and some of us put them up on a pedestal.

Do we mistakenly worship these people and their works and believe they have some insight or power to be able to tell us how to live our lives or what kind of political system we have? What happens when the works of Hollywood form a bond with the works of fame-seeking politicians in our capitols? Are the performers worthy of our worship? What happens when powerful media mechanisms make politicians famous for being famous?

Sponsored by Ryan Plumbings and Heating of Saint Paul.

 

 

Podcast 228

Predicting the Future. Are TV shows and movies predicting the future? How do humans predict the future? On Wall Street they use computers and physics to create algorithms to tell traders what is happening across a wide spectrum of the market, and help make trading decisions. Other traders and analysis use models and theories like the Elliot Wave Theory, The Dow Theory and other technical analysis disciplines. Some people prefer Astrology, Tarot and other forms of Divination. Some suggest humans don’t predict the future well at all. Aside from the idea we are writing history as it happens, not living it as it is fated, it’s fun to ask whether movies and TV shows have some ability to predict the future, whether the writers and producers of those movies know it or not. Why do we resonate – internationally – on certain movies. ‘Titanic’ was a hugely popular movie, right before 9/11. A whole slew of movies at the end of the 90’s – from American Beauty and Magnolia to Fight Club and The Matrix – seem to predict a much more chaotic and unpredictable world than what we were experiencing during the Clinton Era. Would anyone argue we seem to be living in a world that is increasingly chaotic and unpredictable? Did the movies ‘predict’ it, or ‘depict’ it subconsciously? Or are these movies a subtle form of propaganda, pushing us subconsciously toward this kind of world? Finally, there’s TV. The shows we love. The shows we binge watch. House of Cards, Homeland, Breaking Bad, MadMen, and The Walking Dead. Shows that seem to be depicting a world where people in authority have short term, selfish and cynical views on how to manage, are just managing a government seconds from catastrophe, are losing their grip on reality, or are literally running from crowds of zombies. With the Ebola and Enterovirus outbreaks, border security in question, presidential security in question, thousands of thugs loose in the desert beheading people and keeping western governments at bay, economies slowing down, and confusion about what comes next, it makes you wonder. Will a new era break through, creating chaos and washing away the old, or will be it brought through by people who are free to innovate and solve problems? It’s up to us. Sponsored by Baklund R & D